Henry Van Cleve
arrives at the gates of Hell and he finds out that he needs to be vetted on his
qualifications for entry? Henry is
surprised and he thought there would not be any questions about his
suitability? He begins to recount
his life and the women he has known starting with his mother. He concentrates on talking about his
twenty-five years of marriage to Martha.
I thought this was good and didn't know until the end of Henry Van Cleve was going to stay in hell or he would be released and sent to heaven instead? The clothing, hairstyles and social ethics of this time period is very interesting too. Henry's parents are very doting and Henry carries that forward with his own son. Martha's parents were not supposed to be funny but they were!! I have also seen the 1978 version and I think this one is better. 3 1/2* (I liked this movie)
112 min,
Comedy directed by Ernst Lubitsch with Gene Tierney, Don Ameche, Charles
Coburn, Marjorie Main, Laird Cregar, Spring Byington, Allyn Joslyn, Eugene
Pallette, Signe Hasso, Louis Calhern, Helene Reynolds, Aubrey Mather, Tod
Andrews.
Note: Imdb 7.5 out of 10, Rotten Tomatoes 92%
critic 76% audience, Amazon 4.7 out of 5* with 44 reviews, Slant Magazine 4* out
of 5* Jake Cole, Leterboxd average 3.6* out of 5*.
Special
Note: There is another film with
the same title from 1978 with Warren Beatty, Julie Christie and James Mason. Filmed on Stage 3, 20th
Century Fox Studios, Century City, Los Angeles, California. Don Ameche said this movie was his
favorite of all the films he worked on.
Originally, the lead was written for Fredric March or Rex Harrison. Lubitsch was disappointed when 20th
Century Fox boss Darryl F. Zanuck insisted on casting Don Ameche for commercial
reasons. Later, Lubitsch changed
his mind about Ameche because of his dedication and professionalism. Gene Tierney said that Lubitsch was a
tyrant on the set, the most demanding of directors and one scene took from noon
until five PM to finish. There was
a LOT of shouting and Tierney talked to him about the shouting!! This is Lubitsch’s only completed film
in Technicolor. Marjorie Main as
Mrs. Strabel, Martha’s mother, has been in many films from 1929 until 1958, she
is best known as Ma Kettle and Pa Kettle was played by Percy Kilbride.
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