Georg is attempting
to escape Nazi-occupied Paris France and he is posing as the author Weidel who
has died. Georg is a German
refugee and he flees to Marseille.
He has transit papers and he will be able to get a travel visa to
Mexico. He gets to his hotel and
he learns the man he was supposed to meet has also died. He falls in love with the author’s wife
Marie. She has been with Richard,
he is a doctor also preparing leave the country. Georg meets a Driss, he is a young boy and his mother is
deaf and mute. There are many refugees in
Marseille seeking visas to other countries.
This film is a WWII
allegory set in modern times. The
setting is now the 21st century. Some elements of the plot are left vague, especially the
identity of the occupying force.
The plight of displaced people is shown to be universal and not
restricted to a set place or time period.
There are a LOT of times where I was at sea myself about what was going
on?? I needed a script to follow
the characters and the situations?? Possibly, reading one or more of the books first would add clarity? 3 ½* (I liked this movie)
101
min Drama directed by Christian Petzold with Franz Rogowski, Paula Beer,
Godehard Giese, Lilien Batman, Maryam Zaree, Barbara Auer, Matthais Brandt,
Sebastian Hulk, Emilie de Preissac, Antoine Oppenheim, Louison Tresallet,
Justus von Dohnanyi, Alex Brendemuhl, Trystan Putter, Ronald Kukulies.
Note: Imdb 7 out of 10, Rotten Tomatoes 94%
critic 64% audience, Roger Ebert 4* Brian Talerico, Indie Wire Grade B David
Ehrlich, The Guardian 4* out of 5* Peter Bradshaw, Amazon 3.2* out of 5* with
20 reviews.
Special
Note: The title describes this
film since the word transit means journey. You are on your way to somewhere. The languages are German, French and French Sign
Language. Filmed in Marseille,
Bouches-du-Rhone, France. This
film is the last chapter of a trilogy written by the director Christian
Petzold. The title of the series
is Love in Times of Oppressive Systems.
The other titles are Barbara 2012 and Phoenix 2014. Petzold collaborated with Harun Farocki
and their works are based on novels from the 40’s by Anna
Seghers. Most of the cars,
military uniforms and other items couldn’t physically exist unless the Nazis
had been defeated. This makes the
film a paradox and also sci-fi.
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