Mary Ann Robinson is
an attractive young woman living in The Bronx, New York. She’s attending City College and she
lives with her parents. Her mother
is neurotic and overbearing. Her
stepfather goes to work and comes home.
Mary is walking home and she is attacked when a man drags her into the woods. She stays there in the woods for a time and then she goes
home. She lets herself into the
house very quietly and she takes a bath. She uses scissors to cut every piece of clothing she was
wearing into small bits and she flushes them down the toilet. She
doesn’t tell anyone what happened.
She takes the subway to college the next day but there are too many people pressing
against her. She faints and a
police car takes her home. Her
mother finds this to be very embarrassing and mortifying!!
Mary changes
everything about her life and her parents don’t know where she is or what she’s
doing. Mary is going through a lot
of psychological changes without any support system. Actually, she is suffering from post-traumatic shock
disorder but no one knows anything about this problem in this time period. She can’t tell her parents, they will
never think of her in the same way again?
She can’t continue going to college like she had been doing either? She wants to curl up into a ball and
never have contact or be with people again if there is a way to do this? 3 ½* (I liked this movie)
113
min, Drama directed by Jack Garfein with Carroll Baker, Ralph Meeker Mildred
Dunnock, Jean Stapleton, Martin Kosleck, Charles Watts, Cliton James, George L.
Smith, Doris Roberts, Ken Chapin, Anita Cooper, Ginny Baker.
Note: Imdb 6.9 out of 10, 43% critic 45%
audience on Rotten Tomatoes, TCM average user rating 3.3* out of 5*, Amazon
3.9* out of 5* with 67 reviews, Slant Magazine 5* out of 5*, Blu-ray HighDef
Digest 4* out of 5*.
Special
Note: Filmed in New York City, New
York. Carroll Baker was married to
director Jack Garfein at the time of filming but they divorced in 1969. Baker said that the production company
wouldn’t pay Aaron Copland’s fee for the score. Baker and Garfein paid him instead. Baker appeared in How the West Was Won of 1962 and Station Six-Sahara of 1963
afterwards to make up the money they spent. Copeland used re-arranged music from one of his concert performances
as the score for this film. Later, it was
published in 1964 as Music for a Great City. This is the first film for Doris Roberts and she and a long
career. There is another film with
the same title from 1986.
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