On January 13, 1972, it was arranged that
Aretha Franklin would sing with the choir at the New Temple Missionary Baptist
Church in Watts, Los Angeles, California.
Aretha wanted to release a record but she also wanted to record in this church
instead of a studio. She played
some piano and Reverend James Cleveland also played piano and sang.
Nearly fifty years have passed and this
film is finally released. It was
intended as a TV special, Aretha was nearing 30 and at the peak of her creative
powers. The film was abandoned
because of a syncing problem and Alan Elliot was finally able to solve this issue a few years
ago. After Aretha passed last
year, her family agreed to the release of the movie. If this film had been made more recently, there probably
would have been pauses in filming to pat down the faces of Aretha, the Reverend and the choir
director. They were profusely sweating? You can tell there was no air conditioning and fans were probably not
used either. Possibly, because of
the whirring noises?
Aretha died on August 13, 2018 because of a
pancreatic neuroendocrine tumor.
This is a rare type of tumor that arises from specialized body cells
that have the traits of both nerve and hormone-producing cells. Before she died she had been under hospice care and was
surrounded by friends and family. Aretha
had issues with her weight for many years. In 1974 she lost 40 pounds and maintained her new weight
until the end of the decade. She
was a former chain smoker and she struggled with alcoholism. She quit smoking in 1992 and she
admitted in 1994 that smoking was messing with her voice. Her weight rose again after she quit
smoking. 4* (I really liked this movie)
99 min, Doc directed by Alan Elliott
and Sydney Pollack with Aretha Franklin, James Cleveland, Southern California
Community Choir, C. L. Franklin, Alexander Hamilton, Bernard Pretty Purdie,
Chuck Rainey,
Clara Ward.
Clara Ward.
Note: Imbd 7.8 out of 10, RollingStone 5* Peter Travers, The
Guardian 5* Jordan Hoffman, Roger Ebert 4* Odie Henderson, IndieWire Grade B+,
The Washington Post 4* Ann Hornaday, Amazon 4.3*out of 5* with 49 reviews.
Special Note: Director Sydney Pollack was inexperienced in the filming of a music documentary. He directed without clapper-boards snapping
shut at the beginning of each take.
This method helps synchronize sound and picture in post-production. The choir director was brought in to try
to lip-read the film reels but this didn't work. After
months of work by experts, the footage could not be synchronized with the audio
tracks. Twenty hours of footage was shot by five 16mm-cameras in two days. The album with the music came out in June 1972 and it
sold millions of copies with no synergy.
Mick Jagger and Charlie Watts can be seen rocking out in the back of the
church. They were scheduled to record
Exile on Main Street, the most gospel influenced album made by the Stones.
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