Mike Fry and
Deborah Patterson are co-owners of an advertising firm. They have been involved in reruns of the
Smoky Callaway television series.
The show is very popular with children and there is a big demand for
more episodes. Unfortunately, the
actor in the role of Smoky Callaway hasn’t been seen for about 10 years. Mike and Deborah enlist the help of Smoky’s
agent Georgie Markham to do whatever it takes to find the original actor. A fan letter is received in the mail, a man
named Stretch Barnes writes it and he looks just their like Callaway actor. He writes about all the
attention he’s been receiving because people think he’s Callaway. Mike and Deborah travel to the ranch
where Barnes works and lives. They
convince him to come back with them to be the new star of the series.
There are a lot of
complications when Callaway's agent Georgie locates the real actor and brings him back. Mike and Deborah assemble a team to get
Callaway in physical shape for filming. The
problem is that he’s a drunk and he can’t stay sober. He’s the exact opposite of Stretch Barnes in every way. He doesn’t care anything about the
program or the fans because all he’s interested in is the money. It’s interesting to see how greedy the
advertising firm can be and the differences in Callaway and Barnes. The filming crew wanted the original actor and they give Stretch Barnes a rough time as much as they can. I didn’t know until later (I should've caught onto this?) that the same actor plays both
roles.
2 ½* (This movie is just
so-so)
81
min, Western directed by Melvin Frank, Norman Panama with Fred MacMurray,
Dorothy McGuire, Howard Keel, Jesse White, Fay Roope, Natalie Schafer, Douglas
Kennedy, Elisabeth Fraser, John Indrisano, Stan Freberg, Don Haggerty.
Note: Imdb 6.7 out of 10, 17% audience on
Rotten Tomatoes, Amazon 4* out of 5* with 3 reviews.
Special
Note: Filmed in Beverly Hills,
Iverson Ranch, Los Angeles and Culver City, California. This film was also
titled The Star Said No and was filmed as a satire of the Hopalong Cassidy film of
1952. MGM historical records show this film
earned $1,071,000 in the US and Canada and $267,000 in other countries. The result was a loss of $294,000.
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