Sunday, November 19, 2017

Killer: A Journal of Murder 1995


     This film is based on the true story of serial killer Carl Panzram.  Henry Lesser is a new Prison guard at Leavenworth.  He meets Carl Panzram and Carl has been sent to Leavenworth for burglary.  Upon his arrival, one of the guards brutally beats Carl.  Henry feels Carl didn’t deserve this treatment and he has sympathy for him.  Carl isn’t used to getting any kind of sympathy and he’s been in prison before.  Henry learns that Carl has a very violent past but Henry believes Carl’s capable of turning that around.  The prisoners are not supposed to have any writing instruments or any paper.  Henry gives Carl paper and a small pencil to write his crime history.  Henry takes the manuscript to a publisher but he’s never seen anything like this before?  He doesn’t know if this can be published and if so, what category would it belong to?
     There is a LOT going on in this film.  It’s not just about a killer, his crimes or his time in prison but it’s also about the prison system itself.  There is a LOT of brutality on both sides of the bars.  I wonder what Henry saw in Carl?  I’m sure it would be very interesting for a psychiatrist to exam the manuscript of Carl’s life and determine exactly what made him the type of man he was?  He received brutal treatment at the Minnesota State Training School in 1903 when he was 12 years old until 1905.  Carl is not a normal man by any stretch of the imagination.  He doesn’t seem to have any boundaries and he never has any regret for his actions?  3* (This movie was OK)

91 min, Bio directed by Tim Metcalfe with James Woods, Robert Sean Leonard, Ellen Greene, Cara Buono, Robert John Burke, Richard Riehle, Harold Gould, John Bedford Lloyd, Jeffrey DeMunn, Conrad McLaren, Steve Forrest, Richard Council.

Note:  Imdb 6.4 out of 10, 47% audience on Rotten Tomatoes, Amazon 3.6* out of 5* with 38 reviews, Roger Ebert 2*,
Special Note:  Filmed in Rhode Island, Groton, New London and Norwich, Connecticut.  This film is dedicated to Sam Peckinpah because the film The Wild Bunch of 1969 inspired director Metcalfe to become a director.

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